When the endpoint is reached and the mouse is released, that line disappears and the selected area will fill with the chosen color. As this is done, a guiding line will appear. Hold and drag the mouse to the desired endpoint. Using the pencil tool draw the repeat in black and white Selecting file, new, open a canvas in the same size and magnification, with each step a new icon appears at the top left of the Gimp window to select any file, simply click on the corresponding icon, use Edit Copy or command C, and then edit, paste or command V to place files onto new selections.Ĭopy and paste the first image onto the blank canvas and colors-invert the result To draw straight lines on a Mac, use the pencil tool to place the starting pixel. Magnify 1800X, type in a number for a preferred value, or use the command key in Mac and the scroll wheel of your mouse to do so. For very small repeats, use view, show grid, 87 Though the final designs are saved as black and white pngs or bmps, to work using colors in separations, the mode needs to be set to RGB. This is by Kathleen Kinder, published in Floatless Fair Isle, p. When starting out, save the result in each step for added practice or in case any step is accidentally deleted. This method uses multiple windows in progression. There are always many ways to achieve the same task depending on the specific program used, one’s level of skill, and individual thought process. When uncertain as to results in developing DIY designs, begin with a published repeat to build up confidence. This is a hand-knitting resource for endless inspiration, no separations are provided in the book text. There are some infrequent exceptions to that rule. Black cells represent knit stitches, generally seen in groups or on either side of tuck stitches/ white cells, to anchor the loops down for proper stitch formation. The white cells in B represent loops held on corresponding knitting machine needles, the limit in Japanese standard machines is often 4. If the plan is to set the knit carriage set to tuck in both directions, the design would need to be color-reversed to B. This illustrates possibilities using a random 6-stitch repeat, A. Beginning with any DIY or published design, in order to knit the motif using the tuck setting, there are basic rules to remember. Mosaics and Mazes are generally knit with color changes every 2 rows using either the slip stitch or tuck carriage setting in both directions. This color separation method for mosaics continues to use Layers but in a different approach.Ī spreadsheet may still be used if preferred to draw the initial draft of the design, working in black and white only would be fine, and the import could then be processed in Gimp. Sometimes lightbulbs go off leading to other ideas for achieving results in quicker or easier ways. So many such processes are now nearly instantaneous by comparison.Įarlier this year the post Using Layers in Gimp for color separations explored several fabrics beginning with B/W motifs. Copy machines became useful friends.ĭBJ designs in the punchcard studio when I began teaching were accomplished at first with the use of cards themselves as templates and overlays, involving a series of time-consuming methods for each type of separation ie. The availability of commercial acetates for purchase at seminars, printed in pairs of matching horizontally striped sheets in lines separated in a variety of widths, offered an advance in scaling designs to a knit aspect ratio. Scanning amounted to tracing with a marker onto blank sheets of acetate or tracing paper. I began designing and charting in the days of having to draw on graph paper and cutting up results to see if the repeats would tile properly when knit, or to place them for alignment variations such as half drop or brick. I do not delete older posts or their content, but do occasionally add links to later posts or dated notes. As I learn new tools, my workarounds may be convoluted and more complicated than they need to be, evolving over time.
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